- »La Nube« Mexico City, 2023
- Group Exhibition »End of History?« Stockholm, 2022
- Group Exhibition »Almond shaped eyes for circles and dots • Circles for eyes and almond shaped dots • Dots and almonds for circles in eyes« Mexico City, 2022
- »EIN AUGE, OFFEN« Berlin, 2017
- Group Exhibition »GATHERED FATES curated by Ignasi Aballí« Berlin, 2015
- Group Exhibition »DRAWN« Berlin, 2014
- Group Exhibition »Summer show« Berlin, 2012
- »Nonetheless« Berlin, 2011
- Group Exhibition »SUMMER SHOW« Berlin, 2009
- »Landschaftsabfälle« Berlin, 2008
- »Kein Warum« Berlin, 2005
- Group Exhibition »Out Of Place« Berlin, 2004
- »Nachtruhe« Berlin, 2002
- »Ordnung« Stockholm, 1997
- »Rampen« Stockholm, 1994
- Group Exhibition »Mnemosyne 1273« Stockholm, 1992
- Group Exhibition »Art against AIDS« Stockholm, 1991
- »Mirosław Bałka« Stockholm, 1990
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Anda Rottenberg: Miroslaw Balka. Pursuing Meaning, Fleeing Meaning, , Pirelli Hangar Bicocca, Milan 2017
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Simone Menegoi: Social Body. The Individual and the Collectivity in the Work of Mirosław Bałka, Pirelli Hangar Bicocca, Milan 2017
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Alegra Pesati: All that Remains: the Drawings of Mirosław Bałka, Muzeum Sztuki, Łódź 2017 2017
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Julian Heynen: That's How it Is, in: Mirosław Bałka. How it is, Tate Publishing, 2009
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Mirosław Bałka in conversation with Rafał Jakubowicz, Documenta Magazine, 2007
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Peter Schjeldahl: Polish Haiku, The Reinassance Society, 1992
Mirosław Bałka, 30 x 20 x 4,5, 30 x 20 x 4,5, 30 x 20 x 4,5, 200 x 60 x 170, 60 x 30 x 6,5, 1990, concrete in steel construction (3 parts), sponge, salted water, plate in steel construction (1 part), wood in steel construction (1 part), dimensions same as title in cm
Mirosław Bałka »Mirosław Bałka«
Stockholm, December 01, 1990 - January 06, 1991