- »La Nube« Mexico City, 2023
- Group Exhibition »End of History?« Stockholm, 2022
- Group Exhibition »Almond shaped eyes for circles and dots • Circles for eyes and almond shaped dots • Dots and almonds for circles in eyes« Mexico City, 2022
- »EIN AUGE, OFFEN« Berlin, 2017
- Group Exhibition »GATHERED FATES curated by Ignasi Aballí« Berlin, 2015
- Group Exhibition »DRAWN« Berlin, 2014
- Group Exhibition »Summer show« Berlin, 2012
- »Nonetheless« Berlin, 2011
- Group Exhibition »SUMMER SHOW« Berlin, 2009
- »Landschaftsabfälle« Berlin, 2008
- »Kein Warum« Berlin, 2005
- Group Exhibition »Out Of Place« Berlin, 2004
- »Nachtruhe« Berlin, 2002
- »Through Melancholia and Charm« Berlin, 2000
- »Ordnung« Stockholm, 1997
- »Rampen« Stockholm, 1994
- Group Exhibition »Mnemosyne 1273« Stockholm, 1992
- Group Exhibition »Art against AIDS« Stockholm, 1991
- »Mirosław Bałka« Stockholm, 1990
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Anda Rottenberg: Miroslaw Balka. Pursuing Meaning, Fleeing Meaning, , Pirelli Hangar Bicocca, Milan 2017
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Simone Menegoi: Social Body. The Individual and the Collectivity in the Work of Mirosław Bałka, Pirelli Hangar Bicocca, Milan 2017
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Alegra Pesati: All that Remains: the Drawings of Mirosław Bałka, Muzeum Sztuki, Łódź 2017 2017
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Julian Heynen: That's How it Is, in: Mirosław Bałka. How it is, Tate Publishing, 2009
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Mirosław Bałka in conversation with Rafał Jakubowicz, Documenta Magazine, 2007
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Peter Schjeldahl: Polish Haiku, The Reinassance Society, 1992
"Common Ground", 2013/2016, installation view "Mirosław Bałka – CROSSOVER/S", 2017, Pirelli HangarBicocca
Mirosław Bałka
Mirosław Bałka was born in 1958 in Warsaw and lives and works in Otwock, Poland and Oliva, Spain. In 1991, he received the Mies van der Rohe-Stipendium of the art museums in Krefeld, Germany. Since 2010 Balka is a member of the Akademie der Künste, Berlin.
Bałka has exhibited widely, both nationally and internationally. He participated in Documenta IX (1992), the Venice Biennial (1990, 2003, 2005 and 2013, representing Poland in 1993), Sao Paulo Biennale (1998), Liverpool Biennial (1999), Sydney Biennial (1992 and 2006), SITE Santa Fe's 6th International Biennial (2006) and the Carnegie International, Pittsburgh (1995). In 2009, the artist was awarded with the prestigious Unilever commission for the Turbine Hall at the Tate Modern, London, where he presented the installation How it is.
Between 2015-2018, he presented a trilogy of retrospective exhibitions: “CROSSOVER/S” at Pirelli HangarBicocca, Milan (2017), “Die Spuren” Museum Morsbroich, Leverkusen (2017/18) and “Nerve. Construction” at the Museum of Arts Łodz (2015).
He presented solo exhibitions at The Gund Gallery, Kenyon College, Gambier OH (2024), Castello di Ama (2019), the Freud Museum, London (2014); Museum of Contemporary Art Kiasma, Helsinki, IHME Contemporary Art Festival, Helsinki (all 2013); Akademie der Künste, Berlin (2011); FRAC Centre Orléans (2011); Museo Nacional Centro de Arte Reina Sofia, Madrid and Staatliche Kunsthalle Karlsruhe (both 2010); Scottish National Gallery of Modern Art, Edinburgh (2008); Irish Museum of Modern Art Dublin and Museu de Arte de São Paulo/Museu de Arte Moderna Rio de Janeiro (both 2007); K21, Düsseldorf (2006); Museum of Contemporary Art, Strasbourg (2004); The Zacheta Gallery of Contemporary Art, Warsaw and SMAK, Ghent (both 2001); National Museum of Art, Osaka (2000); Museu Serralves, Porto (1998); Tate Gallery, London (1995); Van Abbemuseum, Eindhoven (1994); Museum Haus Lange Krefeld, and Renaissance Society at the University of Chicago (both 1992).
His work is owned by museums worldwide including: Tate Modern, London; Van Abbemuseum, Eindhoven; MOCA, Los Angeles; SFMOMA, San Francisco; MOMA, New York; Hirshhorn Museum, Washington DC; The Art Institute of Chicago; The Carnegie Museum of Art, Pittsburgh; Museu Serralves, Porto; Moderna Museet, Stockholm; Kiasma, Helsinki; Kröller-Müller, Otterlo; EMST The National Museum of Art, Athens; The National Museum of Art, Osaka; Muzeum Sztuki, Lodz; Zacheta – National Gallery of Art, Warsaw; The Israel Museum, Jerusalem; Tel Aviv Museum of Art. He has been commissioned to create a number of permanent outdoor works, including the memorial to the victims of the Estonia Ferry disaster in Stockholm (1997), AUSCHWITZWIELICZKA, Cracow (2010), and HEAL, University of California, San Francisco (2009).
Between 1986 and 1989 together with Miroslaw Filonik and Marek Kijewski he established the artistic group Consciousness Neue Bieremiennost.
Miroslaw Balka has been exhibiting with Galerie Nordenhake since 1990.
Mirosław Bałka in conversation with curator and critic Julian Heynen, Sept 16 - Nov 18, 2017, at Galerie Nordenhake Berlin.
Installation view "Mirosław Bałka - 690 x 190 x 102", 2006, Galerie Nordenhake Berlin 2017, steel, wood, felt, 102 x 690 x 190 cm
690 x 190 x 102, 2006, steel, wood, felt, 102 x 690 x 190 cm, detail
41 x 31 x 1, 190 x 60 x 54, 1992, steel, earth, electric blanket, felt, dimensions same as title in cm
41 x 31 x 1, 190 x 60 x 54, 1992, detail
Installation view "Mirosław Bałka – CROSSOVER/S", 2017, Pirelli HangarBicocca
229 x 118 x 75 , 1975/2017, steel, terrazzo, felt, 75 x 118 x 229 cm
229 x 118 x 75, 1975/2017, steel, terrazzo, felt, 75 x 118 x 229 cm
90 x 33 x 31, 2017, terrazzo, steel, brass, dimensions same as title in cm
90 x 33 x 31, 2017, detail
Installation view "Mirosław Bałka – CROSSOVER/S", 2017, Pirelli HangarBicocca
56 x 30 x 8, 2017, wood, plywood, steel, dimensions same as title in cm
185 × 55 × 15, 1990, wood, steel, 185 x 55 x 15 cm
133 x 34 x 190, 2011, steel, concrete, leather, plastic, dimensions same as title in cm
Installation view "Mirosław Bałka – How It Is", 2009, Turbine Hall at the Tate Modern London 2009, Photo: Tate Photography
268 x 142 x 54, 84 x 40 x 22, 2008, wood, glass, dimensions same as title in centimeters
120 x 80 x 15 / DB, 2008, wood, light, dimensions same as title in centimeters [lit]
120 x 80 x 15 / DB, 2008, wood, light, dimensions same as title in centimeters [not lit]
232 x 209 x 150, 2007, steel, concrete, 232 x 209 x 105 cm
277 x 21 x 11, 277 x 21 x 11, Ø 17 x 26 + 23 x 16 x 19, 1991, wood, foam rubber, steel, dimensions same as title in centimeters, two wooden structures + 2 elements, one hanging
Ø 16 × 25.5, 1992, steel, plaster, h = 25.5, Ø 16 cm
204 x 25 x 17 and 11 x ø 13 x ø 7.5, 1990/1991, painted wood and iron, ceramic pot, fir's needles, concrete, dimensions same as title in cm
11 x ø 13 x ø 7.5, 1990/1991, detail
82 x 40 x 16, 2010, steel, plastic, wood, dimensions same as title in cm
Installation view "Mirosław Bałka - Landschaftsabfälle", Galerie Nordenhake Berlin 2008
56 x 72 x 72, 2008, concrete, plastic, schnapps, pump, dimensions same as title in cm
106 x 151 x 194, 2008, concrete, steel, dimensions same as title in cm
2 x (7 x 2.5 x 15), 2 x (7 x 2.5 x 15), 1994, steel, linoleum, soap, dimensions same as title in cm
2 x (170 x 35 x 13), 1996, steel, soap, dimensions same as title in cm
2 x (170 x 35 x 13), 1996, detail
Sch, 2000, glue, paper, steel, dimensions variable
Sch, 2000, detail
Sch, 2000, detail
Pause, 1996, " 2 x (35 x 14 x 13), 190 x 240 x 30 "; steel, steel mesh, felt; " 2 x (60 x 30 x 10), 2 x (60 x 30 x 9), 50 x 11 x 60 "; steel, felt, heating cables, ash; " O 1 x 2467 " steel, soap, detail
37 x 25 x 40 (Untitled Dog), 1997, steel, soap, dimensions same as title in centimetres
2 x (55 x 23 x 27), 190 x 190 x 0,3, 1995, steel, linoleum, pvc, ash, felt, dimensions same as title in cm
190 x 25 x 30, 190 x 25 x 2.5 , 1991, steel, sponge, dimensions same as title in cm
Ein Floh / Ein Leben und Ø 100 x 15, 2005, video, pvc, revolving motor, 116 x 150 x 15 cm
3 in 1, 2008, gouache on paper, 21 x 14.7 cm
Giving Up, 2008, gouache on paper, 21 x 14.7 cm
Milkontracks, 2008, gouache on paper, 21 x 14.7 cm
The Bench, 2008, gouache on paper, 21 x 14.7 cm
Babel Platz, 2007, gouache on paper, 21 x 14.7 cm
Untitled, 2007, gouache on paper, 21 x 14.7 cm
Untitled, 1996, crayon and black pencil on paper, 14 x 19 cm
Untitled (Two tables), 1990, crayon and black pencil on paper, 20.5 x 28 cm
Untitled (branches + column), 1996, crayon and black pencil on paper, 20 x 29.5 cm