
Hreinn Friðfinnsson
Hreinn Friðfinnsson was born in 1943 in Baer Dölum, Iceland. Since 1971 he lived in Amsterdam, Netherlands. He is co-founder of the Icelandic avant-garde artists’ collective SÚM and has exhibited internationally since the 1970s. He passed away in 2024.
A retrospective of Friðfinnsson's was on view at Centre d'Art Contemporain, Geneva and KW Institute for Contemporary Art, Berlin in 2019, and was accompanied by a survey catalog. He furthermore had solo exhibitions at the Museum of Art & Design at MDC, Miami (2021); The Icelandic Folk and Outsider Art Museum, Svalbarðsströnd (2020); Kunstverein Amsterdam, Amsterdam (2015); The Living Art Museum, Reykjavík (2014); Centre d’Art Contemporain, Bignan; and Kyoto Art Center, Kyoto (both 2002). In 2007 the Serpentine Gallery, London presented a first survey exhibition of his work which then travelled to Reykjavík Art Museum and in 2008 to Bergen Museum and Malmö Konsthall. He participated in Skulptur Projekte Münster 2017, the 30th São Paulo Biennial in 2012 and in 1993 he represented Iceland at the 45th Venice Biennale.
Recent significant participations include group exhibitions at Frac des Pays de la Loire, Nantes (2023); Musée d'Art Contemporain de Lyon, Lyon (2022); Arter, Istanbul (2022 and 2020); Kópavogur Art Museum, Reykjavík (2019); Hamburger Kunsthalle, Hamburg (2018); The Living Art Museum Reykjavík, Reykjavík (2017); National Gallery of Iceland, Reykjavík (2016); Garage Center for Contemporary Culture, Moscow; and Mudam, Luxemburg (both 2014), MOCA Los Angeles and Haus der Kunst, Munich (both 2012); Reykjavík Arts Festival (2005); and Jeu de Paume, Paris (2004). In 2000 the artist was the recipient of the prestigious Ars Fennica Prize. In 2019 Centre d'Art Contemporain, Geneva and KW Institute for Contemporary Art, Berlin presented an extensive survey exhibition of his work.
Hreinn Friðfinnsson has been exhibiting with Galerie Nordenhake since 1989.
Exhibitions at the gallery
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Group Exhibition From dreams you wake up - organized by Francisco Berzunza
Mexico City 2024 -
Group Exhibition To Light, Shadow and Dust
Berlin 2022 -
A Group of Pieces
Stockholm 2020 -
Group Exhibition After Finitude
Mexico City 2018 -
Hulduklettur
Berlin 2017 -
Echoes and Reflections
Stockholm 2015 -
Group Exhibition GATHERED FATES curated by Ignasi Aballí
Berlin 2015 -
Group Exhibition DRAWN
Berlin 2014 -
Hreinn Friðfinnsson
Berlin 2013 -
Group Exhibition Be Nice To Me
Berlin 2011 -
Group Exhibition SUMMER SHOW
Berlin 2009 -
Hreinn Friðfinnsson
Stockholm 2009 -
Hreinn Friðfinnsson
Berlin 2008 -
Group Exhibition Drawing a Tiger
Berlin 2007 -
Hreinn Friðfinnsson
Berlin 2004 -
Group Exhibition Out Of Place
Berlin 2004 -
Group Exhibition Hreinn Friðfinnsson, Kristján Guðmundsson, Sigurdur Guðmundsson
Stockholm 2000 -
Hreinn Friðfinnsson
Stockholm 1996 -
Hreinn Friðfinnsson
Stockholm 1992 -
Group Exhibition Art against AIDS
Stockholm 1991 -
Hreinn Friðfinnsson
Stockholm 1989
Texts
- A conversation between Hreinn Fridfinnsson, Andrea Bellini and Krise Gruijthuijsen. In: Hreinn Fridfrinnson. Works 1964 – 2019. Centre d'Art Contemporain Geneva, KW Institute for Contemporary Art Berlin, Koenig Books London.
- Cassandra Edlefsen Lasch: A Theorem of Inversion: *House Project* prefaced in parts, repeated in parallel. In: Hreinn Fridfrinnson. Works 1964 – 2019. Centre d'Art Contemporain Geneva, KW Institute for Contemporary Art Berlin, Koenig Books London.
- Ivana Bago: Hreinn's Transmutations. In: Hreinn Fridfrinnson. Works 1964 – 2019. Centre d'Art Contemporain Geneva, KW Institute for Contemporary Art Berlin, Koenig Books London.
- Luca Cerizza: Art as storytelling and the storytelling of art. In: Hreinn Fridfrinnson. Works 1964 – 2019. Centre d'Art Contemporain Geneva, KW Institute for Contemporary Art Berlin, Koenig Books London.
- Luca Cerizza: Storytelling, nature and art: an introduction to the world of Hreinn Fridfinnsson, in: Hreinn Fridfinnsson, Gallery Nordenhake Berlin/Stockholm 2012
- Hans Ulrich Obrist Interview with Hreinn Fridfinnsson, in: Hreinn Fridfinnsson, Serpentine Gallery, 2007
- Olafur Eliasson: Having Hreinn in Mind, in: Hreinn Fridfinnsson, Serpentine Gallery, 2007
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Installation view "For the Time Being", Museum of Art and Design at MDC, Miami, 2021. Photo: Oriol Tarridas -
Installation view "For the Time Being", Museum of Art and Design at MDC, Miami, 2021. Photo: Oriol Tarridas -
Drawing a Tiger, 1971, black and white photograph, diptych framed, each 58 x 51,5 cm -
Installation view "For the Time Being", Museum of Art and Design at MDC, Miami, 2021. Photo: Oriol Tarridas -
Installation view "For the Time Being", Museum of Art and Design at MDC, Miami, 2021. Photo: Oriol Tarridas -
Installation view "For the Time Being", Museum of Art and Design at MDC, Miami, 2021. Photo: Oriol Tarridas -
Installation view "For the Time Being", Museum of Art and Design at MDC, Miami, 2021. Photo: Oriol Tarridas -
Installation view "For the Time Being", Museum of Art and Design at MDC, Miami, 2021. Photo: Oriol Tarridas -
A Palace, 1990-2014, detail -
A Palace, 1990-2014, detail -
Installation view "To Catch a Fish with a Song: 1964–Today", KW Institute For Contemporary Art, Berlin, 2019. Photo: Frank Sperling -
Installation view "To Catch a Fish with a Song: 1964–Today", KW Institute For Contemporary Art, Berlin, 2019. Photo: Frank Sperling -
Installation view "To Catch a Fish with a Song: 1964–Today", KW Institute For Contemporary Art, Berlin, 2019. Photo: Frank Sperling -
Untitled (Below and Above), 1983-1984, marble, granite and indian ink on paper, overall dim. installed 250 x 140 cm, on view at "To Catch a Fish with a Song: 1964–Today", Centre d’Art Contemporain Genève, Geneva, 2019 -
Installation view "To Catch a Fish with a Song: 1964–Today", KW Institute For Contemporary Art, Berlin, 2019. Photo: Frank Sperling -
Installation view "To Catch a Fish with a Song: 1964–Today", KW Institute For Contemporary Art, Berlin, 2019. Photo: Frank Sperling -
Installation view "To Catch a Fish with a Song: 1964–Today", Centre d’Art Contemporain Genève, Geneva, 2019. Photo: Mathilda Olmi -
Installation view "To Catch a Fish with a Song: 1964–Today", Centre d’Art Contemporain Genève, Geneva, 2019. Photo: Mathilda Olmi -
Installation view "To Catch a Fish with a Song: 1964–Today", Centre d’Art Contemporain Genève, Geneva, 2019. Photo: Mathilda Olmi -
Installation view "Hreinn Fridfinnsson", Serpentine Gallery, London 2007 -
Installation view "Hreinn Fridfinnsson", Serpentine Gallery, London 2007 -
Fourth house of the house project since 1974, 2017, Stainless steel, polished, 255 × 325 × 195 cm, Temporary installation at Clearing in Sternbuschpark, Münster 2017 -
First House of the House Project 1974, construction material, undisclosed location, Iceland 1974 -
First House of the house project 1974, detail -
Illustration, 2013, Mirage, white paint, c-print, injekt-print, platinum, Photos: 42H x 62B cm, 62H x 42B cm; Mirage mirror: 20H x 57Ø; Plinth: 50 x 30 x 30 cm -
Illustration, 2013, detail -
Illustration, 2013, detail -
Hulduklettur, 2017, Cardboard boxes, mirrored aludibond, anatomical model of inner ear, wood, fossile ammonites, Swarovski crystals, Inkjet-print mounted on aludibond, C-prints framed, video projection, dimensions variable, installation view, Galerie Nordenhake, Berlin 2017 -
Hulduklettur, 2017, detail -
Hulduklettur, 2017, detail -
Hulduklettur, 2017, detail -
From Mont Sainte-Victoire, 1998, rubbing (graphite on paper), 15 drawings, each 29.3 x 21 cm, 38 x 28 cm framed. Photo: Oriol Tarridas -
From Mont St. Victoire, 1998, Rubbing (graphite on paper), 41.5 x 31 cm -
The Way We Were, 2002, 4 black and white photographs, 26,7 x 33,2 x 4 cm each, framed 36 x 42 cm -
Fruits of Labour, 2004, Pencil shavings, Variable dimensions -
Sanctuary, 1997-2014, cardboard box and fluorescent paper, 80 x 60 x 25 cm -
Fives Gates for the South Wind, 1971-1972, 14 b/w photographs and text on paper Each 15.5 x 20.5 cm -
Autumn Leaf, 1980's – 2014, leaf, mirrors, 15 x 40 x 40 cm -
Atelier Sketch, 1990-2014, spider web, glass, wood, paint, 24 x 24 cm -
Thingness, 1991- 2012, Acrylic glass, polished steel, printed text, plywood, 50 x 50 x 50 cm -
A Woman At Rest in the Golden Ratio, 2012, c-print framed, mirror, transparent glass paint, 158.6 x 238.6 cm -
Books, 2006, c-print, 50 x 70 cm -
Eleven Drops, 2004, 11 glass teardrops -
Eleven Drops, 2004, detail -
Untitled Floating Object, 2012, acrylic glass, polished steel, wood, 50 x 50 x 50 cm -
Clearing, 1991-2013, painting on wood, dimensions variable, wall with 41 sticks -
A group of 4 paintings, 2004, 4 wooden sticks with painting, each 30 x 2 cm




























































