- »I hear the roar of a big machine« Stockholm, 2025
- »Cache« Stockholm, 2018
- »Put the Cobwebs Back in Place« Berlin, 2016
- »While You Were Sleeping« Stockholm, 2013
- »51 Days in June« Berlin, 2010
- Group Exhibition »Agents« Stockholm, 2008
- »I DID IT JUST THE SAME« Stockholm, 2008
- Group Exhibition »Drawing a Tiger« Berlin, 2007
- Group Exhibition »Group exhibition« Berlin, 2006
- Group Exhibition »Alice Doesn't Live Here Anymore« Stockholm, 2006
- »F for Fake« Berlin, 2005

Marrow, 2022, plaster sculpture, electric light, height 224 cm
Christian Andersson »I hear the roar of a big machine«
Stockholm, April 03, 2025 - May 10, 2025
The title of Christian Andersson's new exhibition is taken from the first line of Sisters of Mercy's 1988 song Lucretia my reflection. The Machine perhaps signifies technology at large, with its allusions to utopia and dystopia. In these recent works futuristic visions collide with the analogue meat and bones of recent and deep history. The Machine in the exhibition is implied, lurking behind the scenes, while the works themselves are silent fossils. Mute artefacts.
The tautology embodied in the sculpture Primer sets the tone for the exhibition. A generic white printer rests as if weightless on a black mirror plinth. It is itself a 3D print generated from a 3D scan but has been mauled and dug out in an ultimate analogue act of vandalism by some unseen hand. While the suite of four posters that compromise Off Set appear to be out of register. As if looking through the arches of a cloister, the consecutive views of the de Chirico scene shifts subtly in perspective from one image to next.
In Marrow both the physical and the metaphysical are inhabited in the same figure. The transience and vanity of mortal life embodied in the decaying body of the Transi (cast from a 1545 tomb effigy at the Church of Saint Etienne in Bar-le-Duc), serves as a backdrop for, not-so-much the afterlife, but a parallel universe. In the place of his own heart, the skeletal hand clasps a tesseract. Just as a three-dimensional
object casts a two-dimensional shadow, the hypercube makes a diminished image of four dimensions.
A series of sculptures titled Cache sit upon shelves and plinths throughout the space. The title alludes to both computer memory as well as an analogue repository. The sculptures are composed of paper sourced from postcards and faded magazine illustrations separated by planes of plexiglass, creating a collage in relief. The images in layered strata present speculative scenes of unclear origin and alternative timelines. Epochs, genres and categories are compressed into flimmering tableaus, each a crystal palace of possible events frozen in time.

Installation view, I hear the roar of a big machine, Galerie Nordenhake Stockholm, 2025

Cache nr 32, 33, 34, 2018 - 2022, paper, plexiglass, green cast acrylic plastic, MDF, object size 27 x 23 x 6 cm, console 41 x 27 x 7 cm

Cache nr 45, 46, 47, 2018 - 2022, paper, plexiglass, green cast acrylic plastic, MDF, object size 23 x 23 x 6 cm, console 41 x 27 x 7 cm

Cache nr 57, 58, 59, 2025, paper, plexiglass, green cast, acrylic plastic, MDF, object size 26 x 23 x 6 cm, console 41 x 27 x 7 cm

Cache nr 54, 55, 56, 2025, paper, plexiglass, green cast acrylic plastic, MDF, object size 22 x 18 x 6 cm, console 41 x 27 x 7 cm

Primer, 2022, painted polymer 3d print, 37 x 33 x 31 cm
plinth 100 x 100 x 100 cm

Primer, 2022, painted polymer 3d print, 37 x 33 x 31 cm
plinth 100 x 100 x 100 cm

Cache nr 60, 61, 62, 2025, paper, plexiglass, green cast acrylic plastic, MDF, object size 25 x 20 x 6 cm, console 41 x 27 x 7 cm

Cache nr 51, 52, 53, 2018 - 2022, paper, plexiglass, green cast acrylic plastic, MDF, object size 27 x 21 x 6 cm
console 40 x 27 x 7 cm

Cache nr 41, 42, 43, 44, 2022, paper, plexiglass, green cast acrylic plastic, MDF, object size 34 x 46 x 8 cm, plinth 133 x 63 x 27 cm

Installation view, I hear the roar of a big machine, Galerie Nordenhake Stockholm, 2025

Off Set, 2024, offset-printed posters, each poster 77,3 x 50 cm

Off Set, 2024, offset-printed posters, each poster 77,3 x 50 cm

Marrow, 2022, plaster sculpture, electric light, height 224 cm

Marrow, 2022, plaster sculpture, electric light, height 224 cm

Off Set, 2024, offset-printed posters, each poster 77,3 x 50 cm, 30

Two Worlds and In Between, 2025, amethyst cave, lock, key, 78 x 28 x 34 cm, plinth 82 x 50 x 50 cm

Two Worlds and In Between, 2025, amethyst cave, lock, key, 78 x 28 x 34 cm, plinth 82 x 50 x 50 cm

Two Worlds and In Between, 2025, amethyst cave, lock, key, 78 x 28 x 34 cm, plinth 82 x 50 x 50 cm