
Installation view "Sofia Hultén – Here's the Answer, What's the Question?", Museum Tinguely, Basel 2018
Sofia Hultén
Sofia Hultén was born in 1972 in Sweden. She lives and works in Berlin since 1997. The latest solo exhibitions of her work include shows at KINDL Zentrum für Zeitgenössische Kunst, Berlin and at Museum Tinguely, Basel in collaboration with Ikon Gallery Birmingham (all in 2018). She has also held solo exhibitions at Espai13, Fundació Miró, Barcelona (2015), Kunstverein Braunschweig, Brunswick (2013), Ikon Gallery, Birmingham (2009), Künstlerhaus Bremen (2008), Kunstverein Nürnberg (2007). Hultén was part of various group exhibitions amongst others recently held at Kunstmuseum Solothurn, Kunstpalais Erlangen (both 2022), Kunstmuseum Bonn (2021) and Museum für Sepulkralkultur, Kassel (2020). Further participation in group exhibitions includes shows at Kunsthalle Mainz (2017), Kunstverein Freiburg (2016), DAAD Galerie, Berlin, 8th Nordic Biennal of Contemporary Art, Moss (both 2015), Magasin 3 Stockholm Konsthall, Frankfurter Kunstverein (both 2014). Sofia Hultén was recipient of the Moderna Museets Vänners Skulpturpris in 2011.

Installation view, "Hat Trick Cyclist", Galerie Nordenhake Berlin, 2023

Installation view, "Hat Trick Cyclist", Galerie Nordenhake Berlin, 2023

Installation view Kunstpalais Erlangen "Pattern Recognition. Wiedersehen mit der Städtischen Sammlung Erlangen" 2022, Foto: Ludger Paffrath

As Yet Untitled 03, 2022, glass, industrial lifting slings, steel excavator teeth, dimensions variable, glass: 50 x 100 x 1 cm

Super Call Me Fragile Ego #1, 2021, ceramic mud gully, glass, 45 x 35 x 20 cm

Super Call Me Fragile Ego #4, 2021, ceramic mud gully, glass, 40 x 47 x 20 cm

Undead, undead #11, 2021, polished steel excavator teeth, 27 x 50 x 12 cm

Footage #20, 2021, graphite and dirt on paper, 85 x 121 cm

Installation view "Undead, undead”, Galerie Nordenhake, Stockholm 2019

Installation view "Undead, undead”, Galerie Nordenhake, Stockholm 2019

Manly Rainy Moany, 2019, found jeans, found street post, electric fans, steel grill, 205 x 102 x 102 cm


Installation view "Sofia Hultén – Unstable Fakers of Change in Self", KINDL - Zentrum für zeitgenössische Kunst, Berlin 2018

Installation view "Sofia Hultén – Unstable Fakers of Change in Self", KINDL - Zentrum für zeitgenössische Kunst, Berlin 2018

Installation view "Sofia Hultén – Here's the Answer, What's the Question?", Museum Tinguely, Basel 2018

Installation view "Sofia Hultén – Here's the Answer, What's the Question?", Museum Tinguely, Basel 2018

Pattern Recognition I, 2017, modified steel workshop walls, tools, 180 x 250 x 5 cm

One Way or Another, 2017, shelf, hoody, cup, keys, paint | video, colour, sound, 100 x 60 x 50 cm

Particle Boredom, 2016, wood, 2-component epoxy resin, 2 parts, 125 x 20 x 5 cm

Installation view "Sofia Hultén – Here's the Answer, What's the Question?", Ikon Gallery, Birmingham 2017

Truckin', 2015, video still, 6:07 min

In the Genes, 2014, one pair of my jeans zipped together with a pair found in the street, 23 x 22 cm

Installation view "Sofia Hultén – Matter is Plastic in the Face of Mind", Galerie Nordenhake Stockholm 2014

The Man Who Folded Himself V, 2014, two found folding gates, paint, 220 x 127 x 45 cm

Indecisive Angles, 2014, metal, paint, 120 x 45 x 50 cm

Trucking, 2014, c-print, series of 7 photographs, each 26 x 17 cm

Installation view "Sofia Hultén – Matter is Plastic in the Face of Mind", Galerie Nordenhake Stockholm 2014

Nonsequenses, 2014, still

Installation view "Sofia Hultén – How Did it Get So Late So Soon", Kunstverein Braunschweig, Brunswick 2013

Installation view "Sofia Hultén – How Did it Get So Late So Soon", Kunstverein Braunschweig, Brunswick 2013

Installation view "Sofia Hultén – How Did it Get So Late So Soon", Kunstverein Braunschweig, Brunswick 2013

Installation view "Sofia Hultén – Altered Fates", Galerie Nordenhake Stockholm 2013

Immovable object / Unstoppable Force (Berlin), 2012, single-channel video, 10 minutes

Installation view "Sofia Hultén – Statik Elastik", Langen Foundation, Neuss 2012