- »Mmontessorri« Mexico City, 2022
- »ĉielarka aktivec’« Berlin, 2020
- Group Exhibition »ORTHODOX ABSTRACTION (and of course there was poetry)« Berlin, 2020
- »Nueve años caminando en las laderas« Mexico City, 2018
- »*« Stockholm, 2018
- Group Exhibition »Helen Mirra, Allyson Strafella« Berlin, 2016
- »Helen Mirra« Stockholm, 2015
- Group Exhibition »GATHERED FATES curated by Ignasi Aballí« Berlin, 2015
- Group Exhibition »DRAWN« Berlin, 2014
- Group Exhibition »Umstülpung - curated by Günter Umberg« Berlin, 2012
- »Field Index 3« Stockholm, 2011
- Group Exhibition »Summer Exhibition« Stockholm, 2009
- Group Exhibition »DOG STAR MAN« Berlin, 2009
- »Quarry« Stockholm, 2008
- Group Exhibition »Drawing a Tiger« Berlin, 2007
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Harsha Menon: A So-called Artist: An Interview with Helen MirraBy Harsha Menon Buddhistdoor Global, 2019
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Peter Eleey and Helen Mirra: dialogue, april – june 2011, Gehend, Argobooks, 2013
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Friedrich Meschede: Silvester, Transylvania, Käuzchensteig and more beneath the cloud, Helen Mirra im Grunewald, DAAD, Berlin 2006
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Rena Leinberger: Interview: Helen Mirra, Bridge, Winter/Spring 2003
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Jen Bervin: Honest Pen Hospital, Sky-wreck, The Renaissance Society at the University of Chicago, 2002
Installation view "Helen Mirra. Nueve años caminando en las laderas/Nine Years of Slope Walking" MAZ, Museo de arte de Zapopan, Mexico, 2020/2021, photo: Itzel Hernández
Hendl Helen Mirra
Hendl Helen Mirra was born in Rochester, New York in 1970 and lives in West Marin, California. Major solo exhibitions include Rochechouart Museum (2022); Museo de Arte Zapopan, Jalisco (2020); Berkeley Art Museum (2019); The Aspen Art Museum (2015); Haus Konstruktiv, Zürich (2012); KW Institute for Contemporary Art, Berlin; and Bonner Kunstverein (both 2011); Dallas Museum of Art (2004); Whitney Museum of American Art, New York (2002); and Renaissance Society at the University of Chicago (2001). A fifteen-year survey (1996-2010) of her work was presented at Culturgest in Lisbon in 2014. In 2023 the Swiss Institute, New York has commissioned the work Harmless mistake as part of the long-term exhibition Spora on view until May 2025.
She participated in the XIII Bienal de Arte Paiz, Guatemala City and Antigua GT (2023), the 30th São Paulo Biennial (2012) and the 50th Venice Biennial (2003). Mirra has been awarded various awards, including DAAD in Berlin (2005/2006), OCA in Oslo (2007/08), IASPIS in Stockholm (2011), and the Guggenheim Fellowship (2020).
Detail, Sky-wreck 1/22, 2001, handwoven indigo dyed cotton, Château de Rochechouart, France, 2022. Photo Aurélien Mole.
Installation view, Sky-wreck 1/22, 2001, handwoven indigo dyed cotton, Château de Rochechouart, France, 2022. Photo Aurélien Mole.
Installation view, Château de Rochechouart, France, 2022. Photo Aurélien Mole.
Installation view, Château de Rochechouart, France, 2022. Photo Aurélien Mole.
Installation view, Château de Rochechouart, France, 2022. Photo Aurélien Mole.
Installation view, Château de Rochechouart, France, 2022. Photo Aurélien Mole.
"Käutzchensteig", installation view exhibition "Cloud, the, 3", daadgalerie Berlin, 2006
Installation view "ĉielarka aktivec’", Galerie Nordenhake Berlin, 2020
Index card, 2020, Ink on paper, 15.3 x 10.2 cm
Installation view "ĉielarka aktivec’", Galerie Nordenhake Berlin, 2020
Novembro, 2019, undyed wool, 84.5 x 59.5 x 1 cm
Novembro, 2019, detail
Julio, 2019, Linen, 79 x 56 x 3 cm
Majo, 2020, Linen, wool, 87 x 53 x 1 cm
Majo, 2020, Detail
Installation view "ĉielarka aktivec’", Berlin 2020
Oktobro, fire basket, for Marjetica Potrč, 2019, Linen and mushroom-dyed wool, 39 x 50 x 2 cm |
Installation view "Nueve años caminando en las laderas", Galerie Nordenhake Mexico City , 2018
Installation View "*", Galerie Nordenhake Stockholm, 2018
Installation view "Helen Mirra – Allyson Strafella", Galerie Nordenhake Berlin, 2016
Grayish green, rhubarb-dyed blue-green, yellow-green, lichen-dyed light brown, 2015, linen and wool on linen, 70 x 39.5 cm
Medium saxon blue, dark blue, 2015, linen and wool on linen, 91 x 43 cm
Installation view "Helen Mirra", Galerie Nordenhake Stockholm 2015
Waulked Triangle, 2015, undyed wool from two black sheep, strand of wool dyed with hydnellum caeruleum, cork, cedar, 74 x 86 cm
Installation view "Helen Mirra", Galerie Nordenhake Stockholm 2015
Walking comma, 02 October, Cortina, 2013, black and white photograph and text, framed, 28 x 43 cm
Installation View "Edge Habitat" Culturgest, Lisbon 2014
Installation View "Edge Habitat" Culturgest, Lisbon 2014
Grey/G, 2004, ink on cotton, 1.6 x 255 cm, Detail
Hourly field notes, 10 October, Dakesawa, 2012, detail
Hourly field notes, 10 October, Dakesawa, 2012, ink on cotton, 7 sections, each 16 mm x 1 mm
Hourly directional field recordings, Monte Orlando, 6 May, 2011, oil on linen, 155 x 155 cm
Hourly directional field recordings, Gravagna, 11 May 2011, oil on linen, 155 x 155 cm
Phyllodoce caerulea & Achillea millefolium (Blue heath & Yarrow), 2007, pressed vascular plants, 29,5 x 48,5 cm
Metamorphosed, 2007, cotton (shirts), serpentinite rock with hematite, casein-painted magnesite and chlorite, 10 x 23 x 30 cm
Sky-wreck, 2001, handwoven indigo dyed cotton, 1/11th of the sky, The Renaissance Societey Chicago, 2001
Sky-wreck, 2001, detail
Installation view "Helen Mirra – Edge Habitat", Culturgest, Lisbon 2014 (exhibition), Sidewalk cover, 1998