Galerie Nordenhake, based in Stockholm and Berlin, opens a new space in Mexico City with the exhibition After Finitude curated by Peruvian artist Elena Damiani, strengthening its links with the cultural networks of the Americas.

The project draws from the notion of ​​contingency in natural laws, which can change (or not) at any time without any apparent reason. It refers to the laws of nature that are infinite, incalculable and impossible to encompass as a way to reflect on the limits of human existence, its stability and permanence in time. Thus, the project resonates with author Quentin Meillassoux's questions regarding human knowledge of the world, it’s natural, and invariant laws, within the finitude of our knowledge and our existence.