Installation view, Phantom Banquet Ghost, lacquered 3D-milled polystyrene, neon, Galerie Nordenhake, Stockholm, 2020
Lap-See Lam
Lap-See Lam was born in Stockholm in 1990. In 2023 she has upcoming solo exhibitions at Portikus, Frankfurt am Main, Swiss Institute, New York and at Lidköping Konsthall, Sweden. Recent solo exhibitions include Bonniers Konsthall (2022); Trondheim Kunstmuseum (2021); Skellefteå Konsthall, Skellefteå (2019); Moderna Museet Malmö (2018–2019); and Bonniers Konsthall, Stockholm (2018). She has taken part in group exhibitions at venues including KINDL - Centre for Contemporary Art, Berlin (2022); Power Station of Art, Shanghai (2021-2022); PinchukArtCentre (2021); Uppsala Konstmuseum (2020); Performa 19 in New York (2019); Metamorphosis - Art in Europe Now, nominated for the Global Fine Art Award, at Fondation Cartier pour l'art contemporain, Paris (2019); Luleå Biennial (2018); Kópavogur Art Museum, Kópavogur (2018); Kendra Jayne Patrick, New York City (2018); and Kunsthal Charlottenborg, Copenhagen (2017). Lam was the winner of Dagens Nyheter Culture Prize in 2021 and a recipient of the Maria Bonnier Dahlin Foundation Grant in 2017. In 2021 she was shortlisted for the Future Generation Art Prize.
Installation view, Tales of the Altersea, Portikus, Frankfurt am Main, 2023. Photo: Alwin Lay
Installation view, Tales of the Altersea, Portikus, Frankfurt am Main, 2023. Photo: Alwin Lay
Installation view, Det regnar drakfjäll, Röhsska Museum, Gothenburg, 2022. Foto: Carl Ander
Installation view, Det regnar drakfjäll, Röhsska Museum, Gothenburg, 2022. Foto: Carl Ander
Installation view, Det regnar drakfjäll, Röhsska Museum, Gothenburg, 2022. Foto: Carl Ander
Installation view, Det regnar drakfjäll, Röhsska Museum, Gothenburg, 2022. Foto: Carl Ander
Installation View, Dreamers’ Quay, Dreamers’ Key, Bonniers Konsthall, Stockholm, 2022
Installation View, Dreamers’ Quay, Dreamers’ Key, Bonniers Konsthall, Stockholm, 2022
Singing Chef Suit, 2021, hand folded double-sided inkjet print on washi paper, hanger, stainless steel
Installation view, Phantom Banquet, Galerie Nordenhake, Stockholm, 2020
Installation view, Phantom Banquet, VR 360 stereoscopic video, Galerie Nordenhake, Stockholm, 2020
Installation view, Mother's Tongue, Moderna Museet, Stockholm, 2019
Installation view, Performa 19 Commission, Performa Hub: Jeffrey Deitch Gallery, New York , 2019
Installation view, Horizontal Landscape, Vertical Ghost (part 1), Erik Nordenhake, Stockholm, 2019
Horizontal Landscape, Vertical Ghost (Mirror), 2019, mirror & sandblasted engraving, Erik Nordenhake, Stockholm, 2019
Installation view "Mother’s Tongue - Lap-See Lam & Wingyee Wu", Moderna Museet Malmö, 2018
Installation view
"Maria Bonnier Dahlin Foundation Grant Recipients 2017", Bonniers Konsthall, Stockholm, 2018
Jade (map), 2017, casted vase in resin, neon, 44 x 105 x 17 cm
Installation view "Mother’s Tongue", 2018, Cycle Music and Art Festival: "Exclusively Inclusive", Kópavogur Art Museum, Kópavogur, 2018
Installation view "Mother's Tongue - Lap-See Lam & Wingyee Wu", Mossutställningar, Stockholm, 2017
Installation view "Mother's Tongue - Lap-See Lam & Wingyee Wu", Mossutställningar, Stockholm, 2017
Installation view "The Luleå Biennial 2018 - Tidjord/ Tidal Ground", Luleå, 2018
Installation view " Like the Eight Immortals", L’Ascensore OFF, Palermo Sicily, 2017
Like the Eight Immortals, The Vase, 2017, polyester cast vase (jade), neon light, petals, table, table cloth, sand
Oriental Travesty, 2016, HD Video, 3D animation and stereo sound, 32:48 min