
Kirsten Ortwed Run Time
Stockholm, October 03, 2013 November 10, 2013
…the remarkable monument to Raoul Wallenberg, which is formed like white-capped waves or Hebrew letters blowing in the wind. (From The Paganini Contract by Lars Kepler)
Kirsten Ortwed has received international recognition over the years for her artistic shaping of the public space, though her practice is primarily an exploration into the possibilities of sculpture, space and issues around material.
Ortwed's work reveals a sensitivity for the most intimate possibilities of her materials. She talks of building up and breaking down her forms and exercises a process of moulding, modelling, casting while creating positive and negative space. Despite their apparent great mass, her sculptures often appear to be in the act of change, metamorphosis or dispersement.
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Kritzeleien, 2013, majolica technique, 200 x 70 x 30 cm -
Fy & Bi, 2013, bronze, 50 x 75 x 205 cm -
Pusher, 2013, bronze, wood, 220 x 50 x 100 cm -
Installation view -
Demonstranten, 2013, bronze, 60 x 50 x 97 cm -
Tree House, 2013, bronze, wood, 65 x 55 x 93 cm -
Midas, 2013, painted bronze, bronze, 2 parts: 39 cm 35 cm diamter, 53 x 40 x 35 cm, detail -
Midas, 2013, painted bronze, bronze, 2 parts: 39 cm 35 cm diamter, 53 x 40 x 35 cm, detail -
Poeten, 2013, bronze, 120 x 35 x 73 cm -
Poeten, 2013, bronze, 120 x 35 x 73 cm









