Felix Gmelin

Born in Heidelberg, Germany, Gmelin lives and works in between Sarajevo and Stockholm. Solo exhibition venues include Stacion - Center for Contemporary Art Prishtina, Kosovo (2011), Portikus, Frankfurt and Malmö Konstmuseum, Malmö (both 2005). Gmelin’s work has been featured in prominent group exhibitions including Cartier, Paris (2011), Les Jacobins, Le Printemps de Septembre, Toulouse (2010), The Power Plant, Toronto (2008), Statens Museum for Kunst, Copenhagen (2008), KW Institute for Contemporary Art, Berlin and Hartware MedienKunstVerein at Phoenix Halle Dortmund, Germany (2007-2008), La 52 Biennale di Venezia, Arsenale, Venice, curated by Robert Storr  (2007), Of Mice and Men, Berlin Biennial 4, Berlin, curated by Maurizio Cattelan, Massimiliano Gioni and Ali Subotnick (2006), The Moderna Exhibition 2006, Moderna Museet, Stockholm, (2006), MASS MoCA, North Adams, Massachusetts, USA (2006) and Delays and Revolutions, La 50 Biennale di Venezia, Italian Pavillion, Venice, curated by Francesco Bonami and Daniel Birnbaum (2003).

Objects that Speak, 2011, 3-channel video installation, 16:9 format, duration 7:52 min, loop, Edition of 5

Toe, 2012, oil on canvas, 190 x 170 cm

Toe, 2012, oil on canvas, 60 x 50 cm

Arm, 2012, oil on canvas, 60 x 50 cm 

Umbrella and Maul, 2012, oil on canvas, diptych, 90 x 100 cm each

Q is for Quoit, 2012, Charcoal on paper and card, each 29 x 15 cm  

Every Version is Part of the Myth, 2012, audio file, iPod, radio sender, vintage radio, Edition of 3

One after the other, Zorns Lemma, 2012, oil on polyester, diptych, 29.5 x 38 cm each

Quality, 2012, oil on canvas, 75.5 x 94 cmYellow, 2012, oil on canvas, 75.5 x 89 cm

One after the other, Letters, 2012, oil on polyester, 27 panels, 29.5 x 38 cm each

One after the other, Accent, 2012, oil on polyester, 26 panels, 29.5 x 42 cm each and One after the other, Aisle, 2012, oil on polyester, 26 panels, 29.5 x 38 cm each